The Doctor helps him emerge from his catatonia long enough to reveal that the witches dictated the Globe's tetradecagonal design to him. He refuses to answer and with a sudden stop both are thrown off balance; the ship has landed. However, at the Globe, the actors have reached the end of the play. At one point, Martha says "It's all a bit Harry Potter", which prompts the Doctor to claim that he has read the final book in the series (which would not be released until three months after the episode was aired; the Doctor refers to it as "Book 7" because the title had not been made public at the time of filming). Lynley collapses on the ground dead. in her honour, but is interrupted when two of his actors burst in. At the end of the play, William Shakespeare announces a forthcoming sequel entitled Love's Labour's Won. However, Lilith tells them it's just a preview of what's to come that night. Shakespeare subsequently flirts with the Doctor as well, at which the Doctor observes, "Fifty-seven academics just punched the air," a reference to the debates on this subject. "Good thing I'm here," the Doctor quips. The Tenth Doctor takes her to 1599 England. As revealed in Doctor Who Adventures issue 30, this episode had the working title of "Loves Labour's Won". Lilith compels Shakespeare to write a strange concluding paragraph to Love's Labour's Won before flying away on a broom. The Tenth Doctor takes her to 1599 England. Fearing that they would be revealed if the Doctor can get Peter to talk, Lilith has Doomfinger transport herself. Lilith refers to the Eternals, a race introduced in the original series serial Enlightenment (1983). They confront Lilith, who is expecting them. Martha attempts CPR but is shocked to find Lynley's lungs full of water. He reveals his deduction that the Doctor is not of the Earth and that Martha is from the future. These references include some metatheatrical humour, since David Tennant played the villain Barty Crouch, Jr in the film adaptation of Harry Potter and the Goblet of Fire. He points out there are things similar to the future: recycling, water cooler moments and people thinking the Earth will burn in flames - aka global warming. Lilith notes the Doctor was at the inn with Shakespeare and smells of something new. Premiere broadcast: Music: Shakespeare then remembers Peter Streete spoke of witches; he was the architect for the Globe Theatre. There are several references to the Harry Potter franchise. This visit causes Lilith to sense something is amiss; she and her mothers look into their cauldron and find the Doctor at the mad house with Shakespeare. And nobody knows that better than Shakespeare. Roberts has said, "I always thought it was a nice word, and I was thinking of the witches as carrion creatures, so I bunged a C in front of it". After making a joke about his eventual balding, the Doctor goes on stage to try undoing the damage but finds only Shakespeare can. In a different version of the joke, the Doctor exclaims "Once more unto the breach", and Shakespeare initially likes the phrase, before realising it is one of his own from Henry V, which was probably written in early 1599. The Doctor thinks he's heard of something before that involves the number 14, but can't seem to remember it. Confused, Martha asks the Doctor why he told the crowd a lie. Shakespeare defends it, saying that fear of the place helped "set him right". However, his attention shifts to Martha, whom he tries wooing, describing her as "a queen of Afric" or a "blackamoor lady", which she finds slightly offensive. Follow code-breaker Petter Amundsen and historian Dr. Robert Crumpton as they investigate the secrets buried in William Shakespeare 's first folio and decipher a coded map that may lead to one of history's greatest treasures. This is part of the reconstructed Globe and wouldn't have been present in the original. Shakespeare fails to stop the play from being performed. The Doctor wonders which house they need to go to, finding a door opening itself; "Make that witch house.". Similar programmes. Watching from above is Lilith, dressed as royalty. He found the plot "straightforward", but still said it was entertaining with a good performance by Kelly. NOTE: Characters who exist outside Shakespeare are marked "(hist)" where they are historical, and "(myth)" where they are mythical.Where that annotation is a link (e.g. At The Elephant, Will and his actors are given beer by Dolly Bailey, the landlady. In the morning the Doctor, Martha and Shakespeare are confused by what has happened. a shot of one of the wooden beams has 'Bay J' printed on it. When they find William Shakespeare with a lost play,… Doctor Who television stories Back at The Elephant, the Doctor explains that the Carrionites vanished at the dawn of the universe; thus it was left to debate whether they were actually real. Shakespeare then speaks, "To be or not to be", from his future play when explaining what he felt then, but wonders if the line is a bit pretentious; the Doctor is indifferent about it. They decide to visit the architect of the theatre in Bethlem Hospital. Phil Collinson The Doctor and Martha reach All Hallows Street, with Martha questioning how this could cause a problem, as she's living proof that the world didn't end this year. Martha mentions the possibility of killing her grandfather, an allusion to the grandfather paradox, when she first steps from the TARDIS. Premiere network: She approaches seductively, which the Doctor says definitely won't work on him, and then quickly cuts a lock of his hair. The Shakespeare Code has accepted the latter. Oh, I cried." There are several references to the paradoxes of time travel. The Shakespeare Code: | | | 180 – "The Shakespeare Code" | | | ... World Heritage Encyclopedia, the aggregation of the largest online encyclopedias available, and the … Finally, the Bard also appears in the Doctor Who Magazine Ninth Doctor comic A Groatsworth of Wit (also written by Gareth Roberts). Martha and the Doctor try helping him, with the Doctor noting that it's like something struck Lynley's heart. Wiggins is also a Doctor Who fan and a friend of writer Gareth Roberts. Sometimes reality exceeds fiction. The Doctor finds the three "witches" trapped, screaming in their own crystal ball. Production started at the production team's Upper Boat Studios in Trefforest for the scenes in the Crooked House. A witch called Lilith uses a voodoo doll to influence Shakespeare to declare that the new play will premiere the following evening. Gridlock. Yes the film!'. Behind the scenes video It was rewritten as the producers and Tennant thought it would be inappropriate. "The Shakespeare Code" is the second episode of the third series of the revived British science fiction television series Doctor Who. Most images portraying Shakespeare show him to be a man who is balding on the top of his head. When Lynley, the Master of the Revels, demands to see the script before allowing the play to proceed, Lilith plunges a voodoo doll made of his hair into a bucket of water and stabs it in the chest. Shakespeare himself speaks with a noticeable Midlands accent, a reference to his birth and upbringing in Stratford-upon-Avon. Shakespeare explains he still has to finish writing the end of the play and bids the Doctor goodnight, saying he will solve why the constant performance from him tomorrow. The actors think Will is drunk and carry him backstage. 7.23 million viewers - BARB final ratings, 1.039 million viewers - BBC3 Repeat ratings, Ford's Hospital, Greyfriar's Lane, Coventry, Newport Indoor Market (Basement), Newport, Chelesmore Manor House, Greyfriar's Lane, Coventry, BBC Studios, Upper Boat, Tonteg Road, Treforest Industrial Estate, Pontypridd, Stageworks, Unit H1, Colchester Industrial Estate, Colchester Avenue, Penylan, Cardiff, Black Horse Ltd, St William House, Tresillian Terrace, Cardiff. At one point, the Doctor uses the title "Sir Doctor of TARDIS," which had been awarded to him by Queen Victoria in "Tooth and Claw" (2006). However his behavior upon meeting Shakespeare in this episode suggests he's never met the man before. Shakespeare is confused by Martha's clothing and the Doctor explains she's from "Freedonia". The episode was Gareth Roberts' first writing credit proper on the show, however he had written for Doctor Who many times before. Lilith, having overheard Lynley, contacts her mothers to warn them; they tell her that the play must be performed the next night. (A remake of “Shakespeare: The Hidden Truth,” including new discoveries.) This is a reference to the enigmatic female character in Shakespeare's Sonnets, although Sonnet 18 is in fact one of those addressed to a male character, the Fair Youth. He speculated that he might like it better when watching it again later after he has warmed up to Martha. However, Will then tells the Doctor that he actually means they will be leaving this era. The episode makes reference to the many debates about Shakespeare's sexuality. Taken from the episode "The Shakespeare Code. He then names Doomfinger a Carrionite, which causes her to disappear. Shakespeare is credited with adding two to three thousand words to the English language, including 'assassination', 'eyeball', 'leapfrog' and 'gloomy'. There, he wonders why the theatre is tetradecagal. The Doctor previously encountered the Carrionites in his, Shakespeare has previously appeared as a young boy in. A Carrionite spectre appears at the rehearsal. He decides to find out more about why it was never published. How they managed to get back is quickly figured out by Martha and the Doctor; when Shakespeare was grieving for his son, he wrote something in a play that allowed them access to Earth. • With thanks to the BBC National Orchestra of Wales. ← Previous Report Broken Documentary. The three Carrionites allude to the Weird Sisters from Macbeth (which was written several years after the setting of this episode); like them, the Carrionites use trochaic tetrameter and rhyming couplets to cast spells. Martha questions when they are, but the Doctor quickly pulls her back, keeping her from being struck by the contents of a chamber pot. The Doctor and Martha make numerous references to Shakespeare's appearance: she notes that he looks nothing like his portrait, and wonders why he is not bald, while the Doctor says he could make his head bald if he rubs it and later gives him a ruff to keep (calling it "a neck brace"). The lead actor recites the incantation, and a vortex appears in the middle of the Globe. When questioning Shakespeare about witches, Martha remarks that he has written about witches; a reference to Macbeth, which Shakespeare denies. Doomfinger tells them she'll stop their hearts, asking who would like to go first. Martha Jones steps outside and is amazed by the fact they've gone back in time. Key crew Through the window, Martha sees Lilith flying away on a broomstick. The Doctor finds Shakespeare backstage, rubbing the top of his head where he had hit it when he fell on stage. The Doctor collapses, making Lilith think he's dead. Sometimes reality exceeds fiction. The ending featuring Queen Elizabeth was Russell T Davies's idea, who told Roberts to "make it a bit like the ending of The One Doctor", a Big Finish Productions audio drama also written by Roberts.[5]. Featuring: At the Globe, Love's Labour's Lost is on. As a reward for her help with the Plasmavore, Martha Jones gets a trip in the TARDIS. The Shakespeare Code (drn:45'32") Inside the TARDIS the Doctor frantically pulls at the controls, whilst Martha enquires how the ship manages to travel in time. The scene in which the Doctor and Martha share a room was originally written to have the Doctor casually undress down to his underwear; and still obliviously invite Martha to share the bed. The Shakespeare Code It is no hardship to leave something we never possessed in the first place – exercising dominion over something that does not put up a fight, putting fences round a place that contains nothing, pretending to endure suffering when we are free to get up and go at any time. The carrionites attack and make their plans known to The Doctor. Tenth Doctor Martha [3][4] Roberts added that although early draft of "The Shakespeare Code" contained "a sly reference to City of Death", it was removed because "it was so sly it would have been a bit confusing for fans that recognised it and baffled the bejesus out of everyone else. She senses a name that could hurt him and tries to weaken him by naming "Rose", but he assures her that that name keeps him fighting and demands to know how the Carrionites came to be on Earth. ", "Doctor Who "The Shakespeare Code" Review", https://en.wikipedia.org/w/index.php?title=The_Shakespeare_Code&oldid=999587836, Cultural depictions of William Shakespeare, Articles with dead external links from June 2018, Articles with permanently dead external links, Articles with dead external links from March 2018, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License, This page was last edited on 10 January 2021, at 23:29. Shakespeare's daughter, Susanna, was to have appeared at one stage. When Will is about to announce when the play will be performed, she takes control of his mind with a puppet; Will declares that it will be tomorrow night. It is only said in the beginning when the young man tells Lilith that her house is foul. Shakespeare Day! Confidential: They find the architect, Peter Streete, in a catatonic state. 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